My Old Scrap Book Ghazal Terry Welch Old Holywood: Marilyn Monroe in THE PRINCE AND THE SHOWGIRL

Russell continued to display her talent for comedy in the classic screwball comedy His Girl Friday (1940), directed by Howard Hawks. In the film, a reworking of Ben Hecht's story The Front Page, Russell played quick-witted ace reporter Hildy Johnson, who was also the ex-wife of her newspaper editor Walter Burns (Cary Grant).

In the 1940s, she made comedies such as The Feminine Touch (1941) and Take a Letter, Darling (1942), dramas including Sister Kenny (1946), and Mourning Becomes Electra (1947), and a murder mystery The Velvet Touch (1948).

Over the course of her career, Russell earned four Academy Award nominations for Best Actress: My Sister Eileen (1942); Sister Kenny (1946); Mourning Becomes Electra (1947); and the movie version of Auntie Mame (1958). She received a Special Academy Award, the Jean Hersholt Humanitarian Award, in 1972. The awarded trophy for the Jean Hersholt Humanitarian Award is an Oscar statuette.

Russell appeared as the Mystery Guest on What's My Line? on January 4, 1953. During her appearance, like most other Mystery Guests, Russell disguised her voice. Her voice however, was so well disguised that Dorothy Kilgallen was convinced that the Mystery Guest was a man. After Russell's identity was guessed, she told the panel that her voice was so hoarse from "overwork in rehearsing" for her upcoming role in Wonderful Town that it made it very easy to disguise her voice in that way.

Russell scored a big hit on Broadway with her Tony Award-winning performance in Wonderful Town (1953), a musical version of her successful film of a decade earlier, My Sister Eileen. Russell reprised her starring role for a 1958 television special.

Russell returned to her native Waterbury for the world premiere of her movie The Girl Rush at the State Theater on August 18, 1955.

Perhaps her most memorable performance was in the title role of the long-running stage hit Auntie Mame and the subsequent 1958 movie version, in which she played an eccentric aunt whose orphan nephew comes to live with her. When asked which role she was most closely identified with, she replied that strangers who spotted her still called out, "Hey, Auntie Mame!" She received a Tony Award nomination for Best Actress in a Play in 1957 for her iconic role. Patrick Dennis dedicated his second Auntie Mame book Around the World with Auntie Mame to "the one and only Rosalind Russell" in 1958.

From the late 1950s to the mid-1960s, she continued to shine with older roles in a large number of movies, giving notable performances in Picnic (1955), A Majority of One (1961), Five Finger Exercise (1962), Gypsy (1962), and The Trouble with Angels (1966).

Russell was the logical choice for reprising her role as Auntie Mame when its Broadway musical adaptation Mame was set for production in 1966. She claimed to have turned it down since she preferred to move on to different roles. In reality, she did not want to burden the public with her growing health problems, which included rheumatoid arthritis.

In addition to her acting career, Russell also wrote the story for the film The Unguarded Moment, a prescient story of sexual harassment, released in 1956, starring Esther Williams.

M (September 12, 1888 – January 1, 1972) was a French actor, singer, entertainer and a noted Sprechgesang performer. He is perhaps best known for his signature songs, including Louise, Mimi, Valentine, and Thank Heaven for Little Girls and for his films including The Love Parade and The Big Pond. His trademark attire was a boater hat, which he always wore on stage with a tuxedo.

Born in Paris, he made his name as a star of musical comedy, appearing in public as a singer and dancer at an early age before working in four menial jobs as a teenager. In 1909, he became the partner of the biggest female star in France at the time, Fréhel and, although brief, she secured him his first major engagement, as a mimic and a singer in l'Alcazar in Marseille to which he received critical acclaim by French theatre critics. In 1918 he discovered jazz and ragtime and went to London, where he found new success at the Palace Theatre.

In 1917, he discovered jazz and ragtime and toured the United States. Whilst there, he met the American composers George Gershwin and Irving Berlin and brought Dédé to Broadway in 1922. He also developed an interest in acting, where he appeared in Chaplin's silent movie A Woman of Paris and had success in the operetta Dédé. When talkies arrived, he returned to Hollywood in 1928 where he played his first American role in Innocents of Paris. In 1930 he was nominated for the Academy Award for Best Actor, for his roles in The Love Parade (1929) and The Big Pond (1930), which secured his first big American hit, Livin' in the Sunlight, Lovin' in the Moonlight.

In 1957, he appeared in Love in the Afternoon which was his first Hollywood film in more than 20 years. In the early 1960s, he made eight films, including Can-Can in 1960 and Fanny the following year. In 1970 he made his final contribution to the film industry where he sung the title song of the Disney film The Aristocats. He died in Paris, on January 1, 1972, aged 83.

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My Old Scrap Book Ghazal Terry Welch Old Holywood

Sunday, December 25, 2011

Marilyn Monroe in THE PRINCE AND THE SHOWGIRL

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